![]() That is why the MIDI format was invented, which does not store sound information, but what it stores is the way in which that sound is generated, so we are dealing with a procedural audio format. ![]() Consider your computer the workstation and the interface as. Formats that are common to us like MP3 at that time had not been invented and the CPUs that were there were not fast enough to decompress these formats in real time. As a music producer, songwriter, musician, or audio designer, an audio interface is a virtual workshop that can make or break your work. The problem musicians faced was that in the 1980s memory was expensive, but very expensive and it was very difficult to store an audio track digitally. ![]() ![]() PCM: It is a file format that stores sound pulses, most modern sound formats are seen in a certain way, evolutions of PCM.The first Sound Blasters were based on this technology. FM synthesizers: They were an advanced version of pulse generators, since they allowed changing waves and even different combinations of them.The first sound card for PC, the Game Blaster was one of its kind. Not only does Avid own Pro Tools, but they also create all sorts of devices and software to complement Pro Tools. But I think it’s safe to say that Avid is best known for its pro audio tools. Pulse Generators: Which generate a type of wave (square, triangular …) and cannot vary it per channel. Avid, the parent company of Pro Tools, does more than just audio.In the history of audio devices, also known as sound cards, we have had different types of devices:
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